A continuous 24-hour broadcast of the greatest public-domain films and animation ever committed to celluloid. No subscriptions, no commercials — just cinema.
PRC · 68 min · Public Domain
Over 100 classic public-domain animated shorts — Looney Tunes, Popeye, Betty Boop, Superman, Color Classics. A dedicated channel within the channel, programmed for the whole family.
Seven pioneering features from the race-film era — restored, public-domain, and presented in one curated set. From Oscar Micheaux's independent productions to Spencer Williams's National Film Registry classic The Blood of Jesus, this is a body of work that built American cinema in parallel — and is rarely shown together.
A landmark race film and the first directed by Spencer Williams — a Southern Baptist parable selected for the National Film Registry.
Spencer Williams's bold all-Black reworking of Somerset Maugham's 'Rain' — a Harlem dancer hides out on a Caribbean island.
A federal agent's mission winds from Mississippi to a Harlem numbers racket in Oscar Micheaux's early-sound thriller.
A night watchman is framed for murder in this courtroom mystery — Micheaux's reflection on the Leo Frank case.
Adapted from Charles Chesnutt's novel — a drama of color, class, and passing in turn-of-the-century America.
Two interlocking stories play out across a single night at a Harlem nightclub — with vintage musical numbers throughout.
A pianist marries to rescue a young woman from abuse — a silent-era touchstone of independent Black filmmaking.
Seven titles chosen for historical weight — Micheaux, Williams, the Colored Players Film Corporation. The foundation of independent Black filmmaking.
Each film streams from a verified public-domain master. No ads, no interruptions, no buffering carousel.
One-time $9.96 unlock. Watch at home, share with a class, screen at a community night — the films are public domain.
Seven films. One-time payment. Lifetime access. Pay securely with PayPal.
Questions about the collection? Email bulletin@andecotv.com
The week's highlights, essays on classic cinema, and spotlights on newly restored prints from the ANDECO archive. Sent every Sunday evening.